47 de FEVEREIRO - LUTA PELA MANUTENÇÃO (2018) PORTUGAL

Hello dear brothers of this fascinating world we call music. Long time no see. I'm so sorry but after a long time unemployed a ton of work came my way, so,...
A few days ago i came across something that caught my attention. Being portuguese i have to say that in this small piece of land fronting europe against the trump feud, it breaks my heart to say that Portugal doesn't have a rock scene, everyone who attempts it, has to live underground, so it was with enormous joy that i received a copy of a new rock project called 47 de FEVEREIRO. (47 of February; the same is to say 19th of march). The name of the band says it all, or better yet, says nothing. Eheheh. I like this, i truly do. Uncompromised rock with a lot of everything and then again a lot of nothing. Nonsense with humorous play, but... there is a lot of maturity in it, everything was made with a purpose, so if you start to listen to this collection of pieces of irresponsible music i might just take your fun right now and spoil it for you, these 4 boys know exactly what they are doing, and they are very hardcore, (on the attitude towards life and society, not the music itself, allthough,...).
As musicians they have been around for a long time in several well known projects in the portuguese music scene, and now they came together like a "buzz" on a sunday night, saying i don't want to go to work tomorrow, man ...
This is a street fight statement on society. Random acts of inglorious lives that instead of being captured by a camera were captured on musical statements; a true exhibit for the Casa de Serralves.
The record then. Songs build upon slogans and football metaphores, with some very higly regarded passages of people like Gunter Grass or George Orwell. "stayed for the intention, in extremis, la favorita, infiltrated, vagabond, pigs in the attic, outside the law, extra time"; are a bouquet of fabulastic musical arrangements, flute, portuguese guitar, vocals that sang in italian or in medieval expressionism; what do you say to some doom metal played with portuguese guitar melodies and arrangements in fresh and captivating theme called "á margem da lei"? Or some psycho prog in "la favorita". And again some misterious flute played on first take as if on a jam in a dark prog ambient of Gunter Grass. who is Jon Anderson? Jethro Tull on a heavier tuxido.
This record was made under no influence, that means, no record company pressure, in fact there's non what soever, this is an independent effort and if you dont like it, the band says; "that's cool, bro! we do! and that's enuff". For the record companies, well, some "green mint". As for the other kind of influences, only the band can confirm or deny.
Before listening to this record, i was adressed to the new effort of the swedish outfit Freak Kitchen in wich i find a lot of resemblances with this 47 de Fevereiro's debut. I believe they don't know of each other but the influences could very well be the same, Rage Against the Machine, Body Count, Motorhead, Metallica, or some electric jazz fusion; this is what some people call "a Trip". Let's take one? So what are you waiting for, go listen,...
For the rest of the world, this record might seem a frustrating journey, but music is universal and "gUgle" translator might help you surpass some of that disapoitment. For the latin boys and girls, this will be an amazing treatment, or as my dear friend Roque Xandeiro used to say, espantástico!(a mix word of amazing and fantastic); remember this, old friend?
This record was edited on the 19th of march 2018, that saying, 47 of february, cool, hah?
Glad to be here for all of you!
McLeod has spoken!